CRUSHTOBER UNIVERSITY 21+ OFFICIAL 21-TRACK ALBUM — CORRECTED TRACKLIST Artist: Plug Not A Rapper / PartyPlugMikey / Mr CRUSH

CRUSHTOBER UNIVERSITY 21+

OFFICIAL 21-TRACK ALBUM — CORRECTED TRACKLIST

Artist: Plug Not A Rapper / PartyPlugMikey / Mr CRUSH

1. Goin — AviatorStudios

2. F* 2 Good** — CruCafeStudios

3. Hi — Kymcci912studios

4. Sip Sumn University Ave — ForeignStudios

5. MEAC Homecoming — ForeignStudios

6. Crush Da Yard — ForeignStudios

7. Arch Madness ft. TYNIEE — Foreign/AviatorStudios

8. BigBootiezAnthem — Kymcci912studios

9. My Turn — Kymcci

10. College & Alumni Gurlz — cake

11. Mr Put that Shit On — Kymcci

12. Midnight — cake

13. Shalom Blakk — Kymcci912studios

14. Bonnet — cake

15. Not Me — Kymcci

16. Anime — Kymcci912studios

17. Hunter x Hunter Episode 304 — Kymcci912studios

18. Johnni Deepp — Kymcci912studios

19. Demure DeRozan — Kymcci912studios

20. Lilo & Stitch — BandsGotit2

21. Trick or Treat — BandsGotit2

TOTAL: 21 TRACKS — ALL COMPLETE

OFFICIAL YOUTUBE STREAMING LINK

https://youtube.com/playlist?list=OLAK5uy_ms7ufYe8J2VBjc-yO2L4PWnbZuZyNxnN4

CRUSH MAGAZINE | THE ETERNAL HBCU HOMECOMING ALBUM CAMPAIGN

21 tracks. One university. Every homecoming season. No graduation date.

CRUSH MAGAZINE • FEATURE 07 • THE NATIONAL HBCU HOMECOMING TAKEOVER

DEAR HBCU HOMECOMING, YOUR NEW SOUNDTRACK HAS ARRIVED.

From Savannah State to the nation’s most celebrated Black college homecomings, Mr CRUSH is making a 21-track bid for a permanent place in the culture.

DEAR HBCU HOMECOMING, YOUR NEW SOUNDTRACK HAS ARRIVED.

21 TRACKS. 107 HBCUs. COUNTLESS ALUMNI. ONE MR CRUSH. THE CRUSHTOBER TAKEOVER IS BIGGER THAN A RELEASE DATE.

CRUSH MAGAZINE | OCTOBER 2026

THE NATIONAL HBCU HOMECOMING TAKEOVER — SPECIAL COVER STORY

The homecoming circuit has its legends, traditions, rivalries, marching bands, DJs, and unforgettable records. Now CRUSHTOBER UNIVERSITY 21+ wants to earn its place in that history.

ATTENTION ALL HBCU STUDENTS, ALUMNI, BANDS, ATHLETES, DJS, AND HOMECOMING COMMITTEES.

THIS IS NOT A DRILL. THIS IS AN ENROLLMENT ANNOUNCEMENT.

Somewhere in Greensboro, somebody is preparing for GHOE.

Somewhere in Tallahassee, a Rattler is getting ready to strike.

Somewhere in Washington, D.C., a Bison is planning the reunion.

Somewhere in Baton Rouge, Jaguar Nation is getting ready to make noise.

Somewhere in Jackson, the Sonic Boom is part of the anticipation.

Somewhere in Hampton, an alumnus is counting the days until the next homecoming.

And somewhere in Savannah, Mr CRUSH is looking at the entire HBCU homecoming universe and asking one enormous question:

WHY SHOULD THE BIGGEST CULTURAL REUNION SEASON IN BLACK COLLEGE LIFE HAVE ONLY ONE WEEKEND TO CELEBRATE?

Enter CRUSHTOBER UNIVERSITY 21+.

Twenty-one tracks.

A fictional university.

A grown-folks social experience.

A Savannah-rooted artist with a national entertainment ambition.

And a mission to make one album recognizable wherever Black college homecoming culture is celebrated.

Not as a replacement for the records generations already love.

Not as an officially sanctioned soundtrack for institutions that haven’t endorsed it.

But as a contender for something that cannot be bought with a marketing budget:

A PERMANENT PLACE IN THE HOMECOMING ROTATION.

THE HOMECOMING CIRCUIT IS ITS OWN CULTURAL ECONOMY

To outsiders, homecoming can look like a football game surrounded by parties.

To the people who return every year, it’s something much bigger.

It is an economic engine for hotels, restaurants, transportation providers, event organizers, photographers, fashion retailers, barbers, hairstylists, vendors, and entertainment professionals.

It’s a networking opportunity.

A family reunion.

A cultural celebration.

An alumni fundraiser.

A showcase for student organizations.

A moment when institutions reconnect with graduates whose influence now extends into communities and industries across the country.

And music is woven into nearly every part of it.

The marching band has its traditions.

The tailgate has its playlist.

The fraternity and sorority gatherings have their musical memories.

The pregame has its records.

The alumni party has its classics.

The nightclub has its current favorites.

The ride home has the songs people associate with the weekend.

That creates a rare opportunity for an album specifically designed around the experience.

NOT JUST A SONG FOR HOMECOMING. A PROJECT WITH A RECORD FOR EVERY PART OF THE WEEKEND.

That’s the marketing proposition behind CRUSHTOBER UNIVERSITY 21+.

SAVANNAH STATE: THE CULTURAL LAUNCHPAD

Before the national ambitions, there’s the hometown foundation.

Savannah State University.

Tiger pride.

The surrounding neighborhoods.

The local basketball culture.

The alumni connections.

The relationships between campus life and the wider Savannah community.

Mr CRUSH’s relationship with that environment is personal.

His Savannah upbringing, educational experiences, athletic background, and documented homecoming-stage participation create a connection that reaches beyond a convenient album concept.

He understands the significance of representing a place.

Not merely saying its name.

Carrying its experiences into unfamiliar environments.

That perspective is important because an HBCU homecoming campaign must begin with respect for the communities that sustain the culture.

The music can be promoted aggressively.

But the institutions themselves are not props.

The alumni aren’t interchangeable.

The traditions aren’t decorations.

Every campus has its own history.

The strongest campaign will recognize those distinctions while celebrating the experiences that connect them.

THE 912 IS THE FOUNDATION. THE HBCU CIRCUIT IS THE DESTINATION.

NORTH CAROLINA A&T: THE GHOE CHALLENGE

North Carolina A&T’s Greatest Homecoming on Earth has earned a distinctive reputation in HBCU culture.

GHOE is not simply another event on a calendar.

It’s a recognizable homecoming identity with generations of alumni attachment.

For CRUSHTOBER UNIVERSITY 21+, Greensboro represents the kind of environment where the album’s college-centered records could be introduced to new audiences.

“Goin” for the journey.

“MEAC Homecoming” for the cultural setting.

“Crush Da Yard” for campus-centered celebration.

“Mr Put that Shit On” for fashion-focused content.

“Midnight” for the late-night atmosphere.

The challenge would be to earn genuine listener interest rather than assuming a title alone guarantees a place in the festivities.

Because GHOE already has a culture.

CRUSH’s music would need to contribute something people actually want to hear.

FLORIDA A&M: RATTLER PRIDE MEETS CRUSHTOBER

FAMU’s homecoming traditions are deeply connected to Rattler identity, alumni pride, athletics, and the university’s musical heritage.

The Marching 100 is one of the most recognizable institutions in HBCU band culture.

That makes Tallahassee a powerful example of why homecoming music is about more than the club.

It’s about anticipation.

Spectacle.

Performance.

School identity.

And generations of people who recognize the same traditions.

CRUSHTOBER UNIVERSITY 21+ offers an opportunity to connect its football, fashion, and nightlife concepts with the broader energy of a major Southern homecoming.

Not through an invented association.

Through a clear invitation:

FAMU ALUMNI, WHICH CRUSHTOBER RECORD BELONGS ON YOUR HOMECOMING PLAYLIST?

HOWARD UNIVERSITY: FROM THE YARD TO THE NATIONAL CONVERSATION

Howard University’s homecoming culture occupies a distinctive position in Washington, D.C., with alumni connections spanning entertainment, politics, media, business, and countless other fields.

Its Yardfest tradition has been a recognizable part of that cultural identity.

For an independent artist, the relevance is obvious.

Homecoming is not simply an audience.

It’s a network.

A place where music can travel through relationships, professional circles, social groups, and digital communities.

“Crush Da Yard” provides a natural title for campus-themed promotional content.

But the larger opportunity is storytelling.

A university concept that speaks to the student experience, alumni identity, and adult social life has more ways to connect than a generic party advertisement.

SOUTHERN UNIVERSITY: THE BAND, THE BAYOU, AND THE JAGUAR NATION

In Baton Rouge, Southern University’s homecoming identity is inseparable from Jaguar pride and a rich performance tradition.

The Human Jukebox represents a level of musical spectacle that has helped make HBCU band culture influential far beyond college football.

That tradition also establishes a high standard.

HBCU audiences understand performance.

They recognize energy.

They know the difference between genuine crowd engagement and empty hype.

For CRUSH, Southern’s cultural environment represents a useful reminder that the album’s long-term ambition must eventually be supported by compelling live presentation.

The music has to work beyond the magazine headline.

It has to create an experience.

JACKSON STATE: THE SONIC BOOM STANDARD

Jackson State University’s Sonic Boom of the South is one of the most celebrated names in HBCU marching-band culture.

The university’s homecoming tradition brings together football, performance, alumni, and Mississippi cultural identity.

A project like CRUSHTOBER UNIVERSITY 21+ can learn from the way such traditions build recognition through repetition.

The band returns.

The alumni return.

The rituals return.

The memories deepen.

That is the model for lasting homecoming relevance.

A record becomes meaningful when people keep choosing it.

And if Mr CRUSH wants an album that returns every October, the campaign must give listeners reasons to return without relying on a new promotional gimmick every year.

TUSKEGEE, HAMPTON, BETHUNE-COOKMAN, AND THE WIDER HBCU FAMILY

The national HBCU landscape includes institutions with different histories, conferences, locations, and homecoming traditions.

Tuskegee’s Golden Tigers.

Hampton’s Pirates.

Bethune-Cookman’s Wildcats.

Alabama State’s Hornets.

Alabama A&M’s Bulldogs.

Fort Valley State’s Wildcats.

Albany State’s Golden Rams.

Clark Atlanta’s Panthers.

Morehouse’s Maroon Tigers.

Spelman’s Jaguar pride and its distinct women’s college traditions.

And countless other HBCU communities whose histories deserve recognition on their own terms.

The point is not to flatten them into one audience.

It’s to recognize that the homecoming experience creates a shared cultural language across different institutions.

The details change.

The pride remains.

And a well-positioned album can invite listeners from different campuses to participate without pretending those campuses are identical.

EVERY CAMPUS HAS ITS OWN TRADITION. CRUSHTOBER WANTS TO JOIN THE CONVERSATION.

21 RECORDS: THE HOMECOMING PLAYLIST IS ALREADY ORGANIZED

Here’s where the album’s actual tracklist becomes a promotional advantage.

THE ARRIVAL

“Goin” is the natural opening statement for the road trip, the arrival, and the decision to join the celebration.

THE SOCIAL INTRODUCTION

“F*** 2 Good” and “Hi” bring adult attraction and first impressions into the experience.

THE CAMPUS

“Sip Sumn University Ave,” “MEAC Homecoming,” and “Crush Da Yard” establish the university environment.

THE ATHLETIC SHOWCASE

“Arch Madness” featuring TYNIEE gives the project a football-centered identity.

THE DANCE FLOOR

“BigBootiezAnthem” provides a direct entry point for dance-focused promotion.

THE AMBITION

“My Turn” introduces a competitive, self-directed title that reaches beyond nightlife.

THE ALUMNI SOCIAL SCENE

“College & Alumni Gurlz” celebrates the adult social environment surrounding reunion culture.

THE FASHION SHOW

“Mr Put that Shit On” offers a natural theme for homecoming outfits and personal style.

THE LATE NIGHT

“Midnight” marks the shift into after-hours celebration.

THE PERSONALITY ELECTIVES

“Shalom Blakk,” “Bonnet,” and “Not Me” introduce individual cultural and social concepts.

THE POP-CULTURE DEPARTMENT

“Anime,” “Hunter x Hunter Episode 304,” “Johnni Deepp,” and “Demure DeRozan” expand the album into fandom, character, and sports references.

THE FINALE

“Lilo & Stitch” and “Trick or Treat” bring playful chaos and October imagery to the closing stretch.

These are promotional interpretations of the titles, not claims about unverified lyrical or musical details.

The important point is that the album has multiple conceptual entry points.

A homecoming campaign doesn’t have to promote all 21 records in exactly the same way.

Each song can reach a different audience.

And every audience can be invited back to the complete project.

THE REAL NATIONAL TAKEOVER IS A REPEATABLE TRADITION

The campaign doesn’t need to depend on claiming the album has already become a classic.

It needs to create the conditions under which listeners might eventually treat it like one.

That means making the music easy to discover.

Giving DJs clean promotional information.

Creating recognizable visuals.

Developing short-form content around individual records.

Inviting alumni and students to identify their favorite songs.

Featuring actual homecoming memories in future editorial coverage.

And returning to the campaign every year instead of abandoning it after October.

The strongest possible result isn’t one viral weekend.

It’s a record that appears in somebody’s homecoming playlist five years from now.

Then ten.

Then fifteen.

Not because an advertisement told them to play it.

Because it became part of their memories.

THE CRUSHTOBER HOMECOMING CHALLENGE

Here’s the invitation.

To every HBCU alumni association.

Every college DJ.

Every tailgate organizer.

Every dance team.

Every homecoming content creator.

Every former student who still treats the annual reunion like a national holiday.

LISTEN TO CRUSHTOBER UNIVERSITY 21+.

Choose the record that best represents your homecoming experience.

Share it with your classmates.

Build a playlist around it.

Create a dance.

Use it in a fashion video.

Make a reunion recap.

Or simply add it to the songs you play on the drive back to campus.

And tell the CRUSH community which school you’re representing.

Because the campaign isn’t complete when the artist announces his ambition.

It begins when listeners respond.

WHICH HBCU IS ENROLLING FIRST?

THE FINAL WORD: YOU CAN’T OWN HOMECOMING. YOU CAN EARN A PLACE IN IT.

No artist can declare themselves the permanent voice of every HBCU.

The culture is too rich.

The history is too deep.

The institutions are too distinct.

And the audience deserves the freedom to decide which records become meaningful.

But an artist can make a serious, imaginative, unapologetic attempt to contribute something lasting.

That’s what Mr CRUSH is doing with CRUSHTOBER UNIVERSITY 21+.

He’s taking his Savannah roots, his homecoming experiences, his sports-driven creative language, his party-host identity, and his fascination with popular culture and placing them inside one 21-track album.

He’s giving the project a fictional university.

A recognizable title.

A seasonal identity.

And a reason to return every October.

The ambition is enormous.

The invitation is simple.

PRESS PLAY. FIND YOUR RECORD. BRING IT HOME.

Because the best homecoming music doesn’t disappear when the weekend ends.

It follows you.

It becomes part of the drive.

The reunion.

The photograph.

The memory.

The story.

And when the next homecoming arrives, it’s waiting to be played again.

ONE UNIVERSITY. TWENTY-ONE TRACKS. EVERY HOMECOMING SEASON.

MR CRUSH IS APPLYING FOR PERMANENT ADMISSION TO THE HBCU SOUNDTRACK.

THE AUDIENCE GETS THE FINAL VOTE.

STREAM CRUSHTOBER UNIVERSITY 21+ NOW

OFFICIAL 21-TRACK YOUTUBE ALBUM:

https://youtube.com/playlist?list=OLAK5uy_ms7ufYe8J2VBjc-yO2L4PWnbZuZyNxnN4

MR CRUSH / PARTYPLUGMIKEY / PLUG NOT A RAPPER

One artist. Three identities. One homecoming-sized ambition.

TAG YOUR HBCU. SHARE YOUR FAVORITE TRACK. MAKE CRUSHTOBER PART OF YOUR NEXT HOMECOMING.

CRUSH MAGAZINE

The campus changes. The graduating classes change. The homecoming returns.

#CrushtoberUniversity #HBCUHomecoming #HBCUCulture #MrCrush #PartyPlugMikey #PlugNotARapper #CrushMagazine #SavannahState #GHOE #FAMU #HowardUniversity #SouthernUniversity #JacksonState #HBCUMusic #Homecoming2026