THE PREGAME HAS A PLUG 🍑🔥 Mr CRUSH’s twerk catalog puts the girls’ night agenda front and center. CRUSH Magazine | Music & Nightlife Somebody’s doing her makeup.
THE PREGAME HAS A PLUG 🍑🔥
Mr CRUSH’s twerk catalog puts the girls’ night agenda front and center.
CRUSH Magazine | Music & Nightlife
Somebody’s doing her makeup. Somebody’s borrowing an outfit she absolutely plans to keep. The friend who said she wasn’t coming is asking for the address.
Now somebody needs to handle the music.
Enter Mr CRUSH.
The Savannah artist behind PartyPlugMikey and Plug Not A Rapper has a clear ambition for his party catalog: give women music to dance to, twerk to and enjoy with their friends. The getting-ready session counts. So does the birthday weekend, the beach trip and the living-room party that accidentally becomes the whole night.
This edition puts six confirmed videos within reach, then keeps the listening session going through the rest of the 17-song spotlight.
Grab the remote. Your girls have songs to get into.
“99 & 3000”: FIRST UP ON THE BIG SCREEN
Start the video run with “99 & 3000.”
Give it the room: friends together, phones down for a minute, everybody free to pick their favorite moment. This is where the CRUSH introduction becomes a shared experience. Somebody gets to send the link first. Somebody else gets to say, “I already had that saved.”
Either way, put the crew on.
Watch the official video · Save on Apple Music
“JIGGLY PUFF”: LET YOUR FUN FRIEND HAVE THE REMOTE
Every group has one. She starts dancing before the plans are finalized, turns outfit checks into performances and refuses to let her friends stand around feeling awkward.
Send her “Jiggly Puff.”
The playful title earns its place in this twerk-catalog feature with an invitation to loosen up and enjoy yourself. Watch the official video, try your own moves and leave room for the laughter between takes.
Cute is covered. Have some fun, too.
Watch the official video · Save on Apple Music
“RAWEST” FEAT. TALIRAQS: GIVE BOTH NAMES THEIR SHINE
The collaboration gets a dedicated stop.
“Rawest” featuring Taliraqs brings another artist into the CRUSH watch party, giving listeners a chance to get familiar with the pairing. Put the video on, hear the record and make your own call.
For the friend arriving with a fresh look and absolutely no intention of shrinking into the background: here’s your next link.
Watch the official video · Save on Apple Music
“SOMEBODY BIH”: THE GROUP CHAT CAN HANDLE THIS ONE
Send “Somebody Bih” with no explanation and let your friends do what they do.
The title brings plenty of attitude to the lineup. The official video gives the conversation somewhere to go. Add it to your CRUSH session, share your favorite moment and let the comments stay between the people who understand your sense of humor.
Your public caption can be classy. Your group chat knows you.
Watch the official video · Save on Apple Music
“SLUTTY VEGAN”: YOU WERE GOING TO CLICK ANYWAY
Some titles get a second look.
“Slutty Vegan” makes curiosity part of the introduction. Give the official video a watch and decide where the record fits in your own rotation.
This is the stop for the friend who likes finding something unexpected—and sending it to everybody before they find it themselves.
Go ahead. Satisfy the curiosity.
Watch the official video · Save on Apple Music
“CRUSH WORLD CUP”: THE WATCH PARTY GETS COMPETITIVE
Who’s representing the city? Who’s backing her favorite dancer? Who’s taking this friendly debate entirely too seriously?
“CRUSH World Cup” expands the lineup with an animated motion picture built around a fictional international women’s dance competition. The concept puts dancers at the center of the spectacle and gives the viewing party something to discuss.
Pick your favorite. Defend your choice. Keep it cute.
Watch the animated motion picture · Save on Apple Music
ELEVEN MORE REASONS TO KEEP EXPLORING
Keep the music going with these additional CRUSH selections on Apple Music:
“Gold Bottles” — Put a celebration on the calendar. Your birthday isn’t the only reason to gather your people.
“LongIslandIcedTea” — Dinner is booked. Leave a little room for whatever the night becomes.
“Weather Machine” — Add this title to the forecast while the getting-ready playlist comes together.
“Bops Like Mike” — Get familiar with Mikey. There’s more catalog behind the name.
“Mikey Tyson” — Step into the listening session with your confidence already warmed up.
“Think She a Model” — Take the extra outfit picture. Your friend found the good lighting for a reason.
“Know You a Freaq” — A bold title for the grown-folks portion of your catalog exploration.
“Gentlemen’s Club Anthem” — Give the nightlife selections their turn, and show love to the performers.
“Turnt” — The friend who finally confirmed she’s coming gets this link.
“Roxy” — Spend some time beyond the first few picks. Your personal favorite might be waiting here.
“Turn Up da Strip” — Close the discovery run with an invitation to take the evening outside.
At the heart of this catalog push is an artist who wants women’s enjoyment to shape the CRUSH experience: the dancing, the confidence, the friendships and the freedom to have a good time.
The audience gets the final say on what stays in rotation.
Watch six. Explore all seventeen. Send your favorite to the friend who’s always on aux.
Mr CRUSH • PartyPlugMikey • Plug Not A Rapper
One artist. Three identities. The pregame has a plug.
PRESS PLAY, PRETTY GIRLS: THE CRUSH WATCH PARTY STARTS HERE 🍑🔥
PRESS PLAY, PRETTY GIRLS: THE CRUSH WATCH PARTY STARTS HERE 🍑🔥
CRUSH Magazine | Music, Videos & Nightlife
The outfit is giving. The group chat is active. Your best friend has already announced she’s dancing tonight.
Time to put some CRUSH on the screen.
Savannah’s Mr CRUSH—PartyPlugMikey, Plug Not A Rapper—is bringing his party-focused catalog into full view, with a watchlist that connects the music to its official visuals. At the center of his creative mission: women dancing, twerking, feeling themselves and having a night worth remembering.
Start with these six videos. Find your favorite. Send it to the friend who always has the next song ready.
“99 & 3000” — PUT THE WHOLE CREW ON 💃
Give this one the big-screen introduction. “99 & 3000” takes its place in the CRUSH spotlight with an official video ready for your next watch party. Pull it up while everybody’s getting ready, let the group weigh in and claim your favorite before somebody else says they discovered it first.
Your assignment: bring the friends who actually came to dance.
🎬 Watch the official video · 🍎 Listen on Apple Music
“JIGGLY PUFF” — THE NAME HAS ENTERED THE CHAT 🍑
Playful title. A whole invitation to stop taking the night so seriously.
“Jiggly Puff” belongs front and center in this twerk-catalog spotlight, with its official video giving listeners another way into the CRUSH world. Bring your personality, your best friend and whatever dance you’ve been waiting to try. Looking good and laughing with your people can happen at the same time.
Press play. Have fun with it. Let your friends hype you up.
🎬 Watch the official video · 🍎 Listen on Apple Music
“RAWEST” FEAT. TALIRAQS — GIVE THE COLLAB ITS MOMENT 🔥
“Rawest” brings Taliraqs into the feature and deserves its own stop on the video run. Put the collaboration on screen, get familiar with both artists and decide which moment you’re sending back to the group chat.
The title puts confidence on the marquee. Come with yours.
For the friend who checks the mirror once and knows she’s ready.
🎬 Watch the official video · 🍎 Listen on Apple Music
“SOMEBODY BIH” — SEND THE LINK. SKIP THE EXPLANATION. 😈
Some song titles practically write the text message for you.
“Somebody Bih” brings that eyebrow-raising attitude to the CRUSH watchlist. Open the official video, explore the record and share it with the friend who appreciates a little mischief in her music rotation.
Whether your evening involves a birthday section, a girls’ trip or getting dressed with nowhere confirmed yet, this is another catalog stop to make before the ride arrives.
The caption can wait. The video is right here.
🎬 Watch the official video · 🍎 Listen on Apple Music
“SLUTTY VEGAN” — CURIOSITY LOOKS GOOD ON YOU 💋
Yes, that’s the title. Go ahead and tap it.
“Slutty Vegan” adds another cheeky entry to the CRUSH video lineup. Give it a proper watch, pick your moment and introduce it to the friend who always asks for something different.
A little curiosity is how a new favorite finds its way into the rotation.
Open the video. Start the conversation.
🎬 Watch the official video · 🍎 Listen on Apple Music
“CRUSH WORLD CUP” — REP YOUR CITY, BRING YOUR CONFIDENCE 🌍🏆
The watch party gets an animated addition with “CRUSH World Cup,” presented as an AM ORIGINAL I animated motion picture.
Its fictional international dance-competition concept gives the CRUSH party a bigger stage and puts female performers at the center of the action. Make this your invitation to bring some friendly competition into the room: everybody gets a favorite, and everybody gets to defend their pick.
Your city has entered the chat. Who’s representing?
🎬 Watch the animated motion picture · 🍎 Listen on Apple Music
KEEP THE CRUSH ROTATION GOING
The video run is your starting point. Keep exploring the rest of the 17-song spotlight:
Celebration plans: “Gold Bottles” · “LongIslandIcedTea”
Put some Mikey in the mix: “Weather Machine” · “Bops Like Mike” · “Mikey Tyson”
Feeling yourself: “Think She a Model” · “Roxy”
Grown-folks picks: “Know You a Freaq” · “Gentlemen’s Club Anthem”
The plans are officially outside: “Turnt” · “Turn Up da Strip”
CRUSH’s invitation is personal: find the music you want to move to, bring the people you love having fun with and enjoy yourself.
Watch your favorite. Save the song. Send it to your girls.
Mr CRUSH • PartyPlugMikey • Plug Not A Rapper
One artist. Three identities. Your next watch party starts here.
CLOCK OUT. POP OUT. CRUSH. Mr CRUSH’s 17-song party spotlight is an invitation to the women who came to dance. CRUSH Magazine | Music & Nightlife Somebody has been working all week. Somebody
CLOCK OUT. POP OUT. CRUSH.
Mr CRUSH’s 17-song party spotlight is an invitation to the women who came to dance.
CRUSH Magazine | Music & Nightlife
Somebody has been working all week. Somebody finally found a babysitter. Somebody’s birthday deserves more than a dinner reservation. And somebody in the group chat has been typing “we need a girls’ night” for three consecutive months.
Ladies, pick a date.
Mr CRUSH, PartyPlugMikey and Plug Not A Rapper—three identities belonging to one Savannah-rooted artist—have a catalog invitation for your next night out. Seventeen selections. Plenty of personality. One central ambition: give women music to twerk to, celebrate with and make their own.
Picture the occasion: your friends look good, everybody made it, and tomorrow’s responsibilities can wait until tomorrow. That feeling is at the center of the CRUSH party vision.
Here’s your invitation, song by song.
“CRUSH World Cup” — BRING YOUR CITY WITH YOU. 🌍
Savannah, show up. Atlanta, bring your people. Jacksonville, make some room in the group chat. “CRUSH World Cup” puts a worldwide ambition on the marquee, and the invitation starts wherever you are. Dancers: choose your crew, put your own personality into the moment and let your hometown pride show.
“Gold Bottles” feat. Party Plug Mikey — MAKE THE OCCASION OFFICIAL. 🍾
Got the promotion? Finished the semester? Finally took that vacation? Put “Gold Bottles” on your celebration list. The invitation here is bigger than what’s on the table: celebrate your people properly. Take the group picture before everybody disappears into different corners of the party.
“LongIslandIcedTea” — YOUR OUT-OF-OFFICE PICK. 🍹
The laptop is closed. The reservation is under your name. Your friend has already asked where everybody’s going afterward. Bring “LongIslandIcedTea” into the evening’s listening plans and leave a little room for the unexpected. You’ve scheduled enough things this week.
Listen to “LongIslandIcedTea”
“Weather Machine” feat. PartyPlugMikey — PACK FOR YOUR OWN FORECAST. 🌡️
Consider this your cue to dress for the night you want. “Weather Machine” supplies a title made for big entrances and playful captions. Put it in your CRUSH rotation while the crew gets ready. The outfit you’ve been saving deserves to leave the closet.
“Bops Like Mike” feat. PartyPlugMikey — PUT MIKEY IN THE CONVERSATION. ✨
Every introduction needs a name to remember. Here’s Mikey’s. Make “Bops Like Mike” one of your stops through the catalog, then pass it to the friend who always wants to know what you’re listening to. Get acquainted with the artist behind all three identities.
“Rawest” feat. Taliraqs — GIVE THE COLLAB SOME SHINE. 🔥
Taliraqs gets featured billing on “Rawest,” bringing another name into this CRUSH spotlight. Put the collaboration on your radar and give it a proper listen. A catalog deep
THE GROUP CHAT SAID OUTSIDE: 17 TRACKS TO GET INTO YOUR CRUSH BAG CRUSH Magazine | The Twerk Catalog Spotlight Pretty-girl plans. Birthday behavior. Best friends hyping each other up. Somebody
THE GROUP CHAT SAID OUTSIDE: 17 TRACKS TO GET INTO YOUR CRUSH BAG
CRUSH Magazine | The Twerk Catalog Spotlight
Pretty-girl plans. Birthday behavior. Best friends hyping each other up. Somebody saying “one more song” when everybody knows the night is nowhere near over.
That’s the occasion for this CRUSH catalog takeover.
Savannah’s own Mr CRUSH—also known as PartyPlugMikey and Plug Not A Rapper—is putting the women and the party front and center. The mission: make music for women to dance, twerk, feel themselves and have fun on their own terms.
This spotlight pulls together 17 selections from that world. Consider it an invitation to explore, pick your favorites and bring a little CRUSH into your next night out.
Send this to the friend who controls the playlist. She has homework.
01 — “CRUSH World Cup” 🌍🏆
Rep your city. Bring your girls.
The title alone sets a big stage. Put “CRUSH World Cup” at the front of your discovery session and bring some friendly competition to the occasion: which friend is claiming the dance floor, and who’s representing the whole crew? CRUSH’s invitation has international ambition. Your city gets a seat at the party.
02 — “Gold Bottles” feat. Party Plug Mikey 🍾
Find a reason to celebrate. Or be the reason.
Birthday coming up? Promotion secured? Finally got everybody’s schedule to line up? Give “Gold Bottles” a place in the celebration picks. The name supplies the dress code: arrive like the occasion matters. Matching outfits optional. Making your friends feel like VIPs? Essential.
03 — “LongIslandIcedTea” 🍹
The itinerary just got flexible.
Dinner reservations were confirmed. Everything after dinner remains between you and the group chat. “LongIslandIcedTea” belongs on your list of CRUSH discoveries for a night that leaves room for a little spontaneity. Press play while the crew decides where the evening is going.
04 — “Weather Machine” feat. PartyPlugMikey 🌡️
Tonight’s forecast: you’re stepping out.
Let the title set the scene: outfit ready, plans forming, temperature rising in the group chat. Add “Weather Machine” to your CRUSH listening session and decide where it belongs in your own party forecast. Bring the confidence with you.
05 — “Bops Like Mike” feat. PartyPlugMikey ✨
Get familiar with the name.
Mr CRUSH. PartyPlugMikey. Plug Not A Rapper. “Bops Like Mike” gives this spotlight a personal stamp. For anyone just entering Mikey’s world, make this one part of the introduction—and send the link to the friend asking who’s behind the catalog.
06 — “Rawest” feat. Taliraqs 🔥
Big title. Bold introduction.
“Rawest” puts Taliraqs in the spotlight alongside the CRUSH catalog’s outspoken personality. Give the collaboration its own moment in your listening session. This is your cue to explore beyond one artist name and get acquainted with another featured voice.
07 — “99 & 3000” feat. PartyPlugMikey 💃
Clear a little space.
Put “99 & 3000” on the discovery list for your next girls’ night and let the crew cast their votes. Who’s saving it? Who’s sending it? Who’s already claiming a spot in front of the camera? Give this CRUSH selection a proper introduction with your people around.
08 — “Mikey Tyson” feat. PartyPlugMikey 🥊
Step into your confidence.
The name comes with a wink and a boxing reference. Make “Mikey Tyson” part of your pregame discovery round: outfit check, mirror check, confidence fully accounted for. Tonight, you can back yourself.
09 — “Think She a Model” feat. PartyPlugMikey 📸
Your friend said turn around. She’s getting the picture.
For the women who turn a hallway into a photo shoot and make sure every friend gets her good angle, this title deserves a tap. Explore “Think She a Model” while you’re getting into your look. Take the extra picture. You worked on that outfit.
10 — “Know You a Freaq” feat. PartyPlugMikey 😏
Grown company. Your kind of fun.
The title makes its flirtatious invitation plain. “Know You a Freaq” joins the adult side of this CRUSH spotlight for listeners ready to explore its bolder selections. Bring your personality and enjoy the night at your own pace.
11 — “Jiggly Puff” feat. PartyPlugMikey 🍑
Have a little fun with it.
A playful name deserves a playful introduction. Add “Jiggly Puff” to your twerk-catalog discovery queue and let your friends weigh in. Dance, laugh, try something new. Every moment doesn’t need a perfectly rehearsed routine.
12 — “Gentlemen’s Club Anthem” feat. PartyPlugMikey 🌙
Put the performers in the spotlight.
This title names its nightlife setting outright. “Gentlemen’s Club Anthem” is a selection for the grown-folks discovery list—and an opportunity to show love to the dancers whose confidence, creativity and performance make a night memorable.
▶ Play “Gentlemen’s Club Anthem”
13 — “Slutty Vegan” feat. PartyPlugMikey 💋
Yes, that’s the song title.
Curiosity has entered the chat. “Slutty Vegan” brings another cheeky name to the CRUSH catalog spotlight. Tap in, hear it for yourself and decide which friend needs the link first.
14 — “Turnt” feat. PartyPlugMikey 🚨
The plans have officially left the group chat.
Sometimes the title says exactly what kind of occasion you’re shopping for. Put “Turnt” in your listening queue when the crew is ready to trade “we should go out” for an actual address and departure time. Somebody book the ride.
15 — “Somebody Bih” 😈
Send the song. Let them wonder.
An eyebrow-raising title gives “Somebody Bih” an easy opening in the conversation. Make it one of your CRUSH catalog stops, then share it with the friend who appreciates a little attitude in her playlist. No elaborate caption required.
16 — “Roxy” feat. PartyPlugMikey 💎
A name worth getting acquainted with.
Give “Roxy” its own space in the rotation while you explore. Catalog discovery is about finding the selection you want to claim for yourself—the one you send around with “have you heard this yet?” Start here and see where it takes you.
17 — “Turn Up da Strip” 🌃
Take the invitation outside.
Close this discovery run with a title that puts the party on the map. “Turn Up da Strip” rounds out the 17-song spotlight with an invitation to bring CRUSH into your nightlife plans. Find your favorite, request it and bring your people along.
Seventeen selections. Plenty of room to find your CRUSH favorite.
For Mikey, the ambition is clear: build a musical world where women feel free to dance, twerk, celebrate themselves and enjoy their friends. The next part belongs to the listeners—what they save, what they share and what they want to hear again.
Tap in. Pick your three. Drop them in the group chat.
Mr CRUSH • PartyPlugMikey • Plug Not A Rapper
One artist. Three identities. Bring your own party.
CRUSH FOR THE WOMEN WHO MAKE THE PARTY Mr CRUSH puts dancing, confidence and unapologetic fun at the center of his 17-song twerk catalog spotlight. CRUSH Magazine | Music & Nightlife
CRUSH FOR THE WOMEN WHO MAKE THE PARTY
Mr CRUSH puts dancing, confidence and unapologetic fun at the center of his 17-song twerk catalog spotlight.
CRUSH Magazine | Music & Nightlife
The group chat has picked the night. The outfits are coming together. Somebody is already dancing before everybody else is ready.
That is the world Mr CRUSH wants his music to live in.
For the Savannah-rooted artist behind Mr CRUSH, PartyPlugMikey and Plug Not A Rapper, the mission starts with women having a good time: dancing with their friends, twerking, feeling beautiful and making memories worth running back. That purpose sits at the heart of CRUSH’s identity—and this 17-song catalog spotlight puts it front and center.
The invitation is straightforward: bring your personality, find your favorite record and make the moment yours.
Women enjoying themselves are the main event.
Across these selections, the CRUSH universe introduces itself through playful titles, bold personalities and an unmistakable appetite for nightlife. There is room for the birthday crew, the dancers, the friend who starts the party and the one who finally joins when her song comes on.
Mr CRUSH supplies the artist identity. PartyPlugMikey carries the invitation in his name. Plug Not A Rapper adds another dimension to the same creative world. Together, those identities serve one ambition: building a catalog that people reach for when it is time to have fun.
A world cup invitation
Begin with “CRUSH World Cup”. As the opening selection in this spotlight, its title captures the scale of the vision: a CRUSH party with room for dancers, personalities and audiences far beyond one city.
Alongside it are “Gold Bottles” featuring Party Plug Mikey and “LongIslandIcedTea”. Apple Music credits “Gold Bottles” to Mr Crush and Plug Not A Rapper, bringing those artist identities together on the same release. (music.apple.com)
For listeners discovering the catalog, these three selections offer a starting point. For returning supporters, they are an invitation to explore how the party connects across releases.
Personality belongs on the dance floor
The spotlight continues with “Weather Machine” featuring PartyPlugMikey, “Bops Like Mike” featuring PartyPlugMikey and “Rawest” featuring Taliraqs.
Even on the page, those names reveal an appetite for character. Weather, personal mythology and outspoken confidence all become part of the vocabulary.
That playful naming continues through “99 & 3000”, “Mikey Tyson” and “Think She a Model”, each featuring PartyPlugMikey.
The broader creative ambition is personal: give listeners something they can bring into their own night. A favorite title to send to a friend. A record to request. A moment to dance through with the people who know them best.
For CRUSH, the connection becomes meaningful when the audience participates.
The after-hours selections
The adult nightlife side of this spotlight is explicit in its titles: “Know You a Freaq”, “Jiggly Puff” and “Gentlemen’s Club Anthem”, all featuring PartyPlugMikey.
They sit alongside “Slutty Vegan” and “Turnt”, also featuring PartyPlugMikey, in a selection that embraces provocative humor and grown-folks party imagery.
The guiding idea leaves the spotlight with the women on the floor: their confidence, their movement, their choice of how to enjoy themselves. Whether someone wants to twerk with her friends, create a dance video or simply find the next addition to her going-out playlist, the invitation is open.
Keep exploring the CRUSH catalog
Rounding out the feature are “Somebody Bih”, “Roxy” featuring PartyPlugMikey and “Turn Up da Strip”.
Together, these 17 selections give listeners a route through the party-focused side of CRUSH. The ambition reaches from the getting-ready playlist to the club, from a birthday celebration to a beach weekend, from a dancer’s next video to a DJ’s next discovery.
The audience gets to decide which record becomes their record.
Tap the titles to listen on Apple Music. Save your favorites, send one to the group chat and request your CRUSH pick on your next night out.
Mr CRUSH. PartyPlugMikey. Plug Not A Rapper.
One artist. Three identities. An open invitation to dance.
TYNIEE IN HER OWN RIGHT “Arch Madness” connects her with Mr CRUSH—and gives listeners a reason to follow both careers beyond the collaboration. Put TYNIEE on your artist-discovery list.
TYNIEE IN HER OWN RIGHT
“Arch Madness” connects her with Mr CRUSH—and gives listeners a reason to follow both careers beyond the collaboration.
Put TYNIEE on your artist-discovery list.
Her collaboration with Mr CRUSH / PartyPlugMikey on “Arch Madness” gives the two artists a shared spotlight. For listeners meeting her through that record, there is already more music to explore.
TYNIEE’s Apple Music page includes “Wop Wop” featuring Mohogany, “Slappp” featuring Mohogany [Special Version], and “Nasty Dancerz” featuring Jo & Coco. It also lists her featured appearance on Mohogany’s “No Competition.” Together, those credits introduce an artist releasing work under her own name and participating in other artists’ records. (music.apple.com)
That distinction deserves attention. A feature can be a listener’s first encounter with an artist whose story is already underway. “Arch Madness” provides that opening: hear the collaboration, remember TYNIEE’s name, and continue into her catalog.
Her Instagram, @tynieeex, gives listeners a direct place to follow her. Her Apple Music artist page puts the releases within reach.
For George Mikey Turner, the record belongs to a larger creative identity expressed through three names: Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper.
His Savannah upbringing, basketball background, Army service, and connections to Savannah State and Clark Atlanta form the personal history behind those names. His music gives listeners a way to encounter the artist he is building from that experience.
“Arch Madness,” part of his Crushtober University 21+ project, places TYNIEE within that musical world while opening a door toward hers. Its quarterback-inspired creative direction connects with Mikey’s athletic interests and gives the collaboration a distinctive promotional theme.
The ambition is clear: make the title recognizable and make both artists memorable.
For someone already following PartyPlugMikey, this is the moment to explore TYNIEE’s releases. For someone arriving through TYNIEE, Mikey’s YouTube channels offer a route into his wider work. The exchange gives a shared record a life beyond its title: one introduction can become interest in two careers.
That is the invitation behind this CRUSH Magazine spotlight.
Give “Arch Madness” your attention. Explore the artists individually. Share the music that earns a place in your rotation. When you post about the collaboration, keep TYNIEE and Mr CRUSH together in the credit.
Start with the collaboration. Stay for the artists.
TYNIEE: Follow on Instagram · Explore on Apple Music
MR CRUSH / PARTYPLUGMIKEY: PartyPlugMikey · Plug Not A Rapper / PartyPlugMikey · PlugNotRapperVEVO
ARCH MADNESS — MR CRUSH × TYNIEE.
TWO NAMES. ONE PLAY: MR CRUSH & TYNIEE’S “ARCH MADNESS” PartyPlugMikey and TYNIEE share the spotlight in a collaboration that opens the door to both artists’ individual music worlds. “Arch Madness”
TWO NAMES. ONE PLAY: MR CRUSH & TYNIEE’S “ARCH MADNESS”
PartyPlugMikey and TYNIEE share the spotlight in a collaboration that opens the door to both artists’ individual music worlds.
“Arch Madness” featuring TYNIEE brings two careers into the same conversation. For **George Mikey Turner—Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper—**it is a featured collaboration within Crushtober University 21+. For TYNIEE, it gives listeners another route into her own growing body of work.
The title sets an ambitious tone. Its quarterback-inspired creative direction draws on Mikey’s interest in athletic imagery and performance: the confidence of calling a play, taking the spotlight, and making an impression. With TYNIEE sharing the record, that concept becomes an invitation to discover two artists.
Remember the title. Learn both names. Follow where their music goes next.
Mikey’s background gives his side of the collaboration a distinctly personal context. His story begins in Savannah, with basketball roots and educational chapters at Calvary Day, Clark Atlanta, and Savannah State. Army service adds another part of his life before listeners even reach the music.
His artist statement—“one artist, three identities”—connects the names audiences encounter across his releases and channels. Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper all lead to the same creator, whose music sits alongside the wider CRUSH brand.
For someone who first encountered him through an event or a Homecoming appearance, “Arch Madness” offers a reason to move from recognizing the name to exploring the songs. For existing listeners, TYNIEE’s feature brings another artist into that discovery.
TYNIEE deserves that attention on her own terms.
Her Apple Music catalog includes “Wop Wop” featuring Mohogany, “Slappp” featuring Mohogany [Special Version], and “Nasty Dancerz” featuring Jo & Coco. Her page also lists an appearance on Mohogany’s “No Competition.” These releases give listeners several concrete starting points beyond “Arch Madness.” (music.apple.com)
Her Instagram, @tynieeex, gives that musical introduction a direct destination. Listeners can follow the artist by name while exploring the releases associated with her.
That individual visibility is central to this collaboration’s push. TYNIEE brings a career of her own to the feature. Mikey brings his catalog, creative identities, and CRUSH audience. The shared record gives both audiences a place to meet.
The strongest support continues beyond a single post: explore each artist’s music, share the songs that connect with you, and keep both names attached when discussing the collaboration.
For DJs, music pages, dancers, and listeners looking for their next discovery, “Arch Madness” belongs on the list to check out. Let the record make its introduction, then follow the artists further.
MR CRUSH × TYNIEE. ARCH MADNESS. Get familiar with both.
Follow TYNIEE: Instagram @tynieeex · Apple Music
Explore Mr CRUSH / PartyPlugMikey: PartyPlugMikey YouTube · Plug Not A Rapper / PartyPlugMikey YouTube · PlugNotRapperVEVO
🏈🔥 ARCH MADNESS — MR CRUSH × TYNIEE Get familiar with both artists behind the collaboration. Follow TYNIEE, explore her music, and tap into the PartyPlugMikey universe. FT 💋 TYNIEE
🏈🔥 ARCH MADNESS — MR CRUSH × TYNIEE
Get familiar with both artists behind the collaboration. Follow TYNIEE, explore her music, and tap into the PartyPlugMikey universe.
💋 TYNIEE
Instagram: https://www.instagram.com/tynieeex/
Apple Music: https://music.apple.com/us/artist/tyniee/1893877526
🍊 MR CRUSH / PARTYPLUGMIKEY
Instagram: https://www.instagram.com/georgemikey_mrcrush/
YouTube: https://youtube.com/@partyplugmikey
Show love to the record. Tag both artists. Put somebody else onto ARCH MADNESS. 🏈🍊🔥
#ArchMadness #TYNIEE #MrCRUSH #PartyPlugMikey #PlugNotARapper #CRUSHMusic
ARCH MADNESS: MR CRUSH & TYNIEE TAKE THE SPOTLIGHT Two individual careers. One shared record. “Arch Madness” brings PartyPlugMikey and TYNIEE
ARCH MADNESS: MR CRUSH & TYNIEE TAKE THE SPOTLIGHT
Two individual careers. One shared record. “Arch Madness” brings PartyPlugMikey and TYNIEE together—and gives listeners a reason to explore both artists.
Put “Arch Madness” featuring TYNIEE at the front of the conversation.
For **George Mikey Turner—Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper—**the collaboration is a chance to bring listeners further into his music. For TYNIEE, it is another point of introduction to an artist building a catalog of her own.
The invitation is simple: learn both names, seek out the record, and keep listening beyond the collaboration.
“Arch Madness” sits within Mikey’s Crushtober University 21+ project. Its creative direction draws on a quarterback-inspired performance concept, giving the title a visual identity that the artists can carry into their presentation of the song.
At the center are two artists whose individual work deserves attention alongside their shared credit.
MR CRUSH: FOLLOW THE MUSIC BEHIND THE NAME
Mikey describes his creative identity as “one artist, three identities.” Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper each lead back to George Mikey Turner.
His Savannah upbringing, basketball roots, Army service, and connections to Savannah State and Clark Atlanta provide the personal background. His music is where listeners can follow what he creates from that life.
“Arch Madness” gives that introduction a specific starting point. It places a named collaboration in front of audiences who may already recognize PartyPlugMikey through events, Homecoming appearances, or the wider CRUSH brand.
For those audiences, the next step is to spend time with the artist’s work. Explore the videos. Find a song to return to. Share the music with someone whose introduction to Mikey has so far been a photograph, a flyer, or a familiar name.
His supplied YouTube channels offer several doors into that discovery:
PartyPlugMikey on YouTube
Plug Not A Rapper / PartyPlugMikey on YouTube
PlugNotRapperVEVO on YouTube
TYNIEE: GIVE HER CATALOG ITS OWN LISTEN
TYNIEE arrives with her own releases and collaborations.
Her Apple Music page lists “Wop Wop” featuring Mohogany, “Slappp” featuring Mohogany [Special Version], and “Nasty Dancerz” featuring Jo & Coco. It also lists an appearance on Mohogany’s “No Competition.” Those credits give new listeners concrete places to begin exploring her work. (music.apple.com)
That catalog deserves a place beside the “Arch Madness” spotlight. Someone discovering TYNIEE through this collaboration can continue directly into her releases, hear more of her work, and develop their own connection to the artist.
Start with her name. Continue with her songs.
ARCH MADNESS: MAKE THE SHARED CREDIT COUNT
A collaboration creates an opportunity for discovery in both directions.
Listeners who follow PartyPlugMikey have a reason to explore TYNIEE. People familiar with TYNIEE have a reason to investigate Mr CRUSH’s music. “Arch Madness” is the meeting point, with two individual careers extending beyond it.
That is the focus of this CRUSH Magazine spotlight: give the record attention while keeping both artists clearly in view.
Look for “Arch Madness” featuring TYNIEE. Explore PartyPlugMikey’s channels. Visit TYNIEE’s artist page. Share the collaboration by name and credit both artists when you post.
MR CRUSH × TYNIEE — ARCH MADNESS. Two names to remember. Two catalogs to explore.
DANNY LOWE: THE TEAMMATE BEHIND OUR GENERATION LOWE A Savannah Panthers connection brings another musician into George “Mikey” Turner III’s hometown story. Danny Lowe belongs in the lineup.
DANNY LOWE: THE TEAMMATE BEHIND OUR GENERATION LOWE
A Savannah Panthers connection brings another musician into George “Mikey” Turner III’s hometown story.
Danny Lowe belongs in the lineup.
When George “Mikey” Turner III revisited the names from Coach Cutter’s Savannah Panthers, he added Lowe—a Savannah High School graduate, a former teammate, and a musician known as Our Generation Lowe.
That addition connects two parts of the CRUSH story: the basketball community Mikey grew up within and the artists whose work he wants readers to discover.
For someone who remembers Danny from the court, the music offers another introduction. For someone discovering Our Generation Lowe, the Panthers connection reaches back to an earlier chapter.
No. 32 at Savannah High
A surviving tournament roster supplies a specific basketball reference.
Score Atlanta’s 2011 GHSA quarterfinals publication lists Danny Lowe as a Savannah High senior, wearing No. 32 and playing small forward under head coach Tim Jordan. James Sinclair, Dasheen Maxwell, and Alex Reid also appear on that roster. (scoreatl.com)
Mikey identifies those same players among his Panthers teammates.
The connections show how names from his youth basketball account continued together in another setting. Lowe has a documented place within that group, alongside the firsthand relationship Mikey remembers under Coach Cutter.
Another name to know
Our Generation Lowe introduces Danny through his music.
Mikey supplied a YouTube link to his work, giving readers a direct way to move from the basketball history into the artist’s creative world.
That connection deserves attention on its own terms. A player can remain familiar to former teammates while reaching a different audience under a recording name. Linking the names allows both audiences to find the same person.
Here, Mikey is making that introduction personally: Danny Lowe was his teammate, and Our Generation Lowe is an artist he wants included.
A shared beginning, individual voices
Mikey’s own creative identities—Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper—give this connection particular relevance.
Both men appear in the Panthers account through their personal names. Both also have musical identities through which new listeners can encounter them.
Their shared team history supplies a point of connection. Their music gives each person his own form of expression.
That makes Lowe’s addition valuable beyond completing a roster. It opens a path toward another artist whose background intersects with Mikey’s Savannah upbringing.
His place in the story
The introduction now has several clear details: Coach Cutter’s Savannah Panthers, Savannah High, No. 32, and Our Generation Lowe.
Each identifies a part of Danny’s story. Together, they give readers somewhere concrete to begin.
Mikey remembers Danny Lowe as a teammate. Through Our Generation Lowe, readers can meet the musician.
SAVANNAH ROOTS, ATLANTA CONNECTIONS George Mikey Turner’s Savannah State and Clark Atlanta chapters bring another dimension to the CRUSH story. To understand Mr CRUSH, it helps to follow the people
SAVANNAH ROOTS, ATLANTA CONNECTIONS
George Mikey Turner’s Savannah State and Clark Atlanta chapters bring another dimension to the CRUSH story.
To understand Mr CRUSH, it helps to follow the people and places behind the artist’s names.
George Mikey Turner—PartyPlugMikey, Plug Not A Rapper, and founder of GEEKSQUAD—places Savannah State University and Clark Atlanta University within his personal history. Those connections bring Savannah and Atlanta into the same story, alongside the basketball communities, friendships, and creative ambitions that shape his identity.
Savannah is the starting point. Cloverdale, youth basketball, and the relationships formed before college give his public persona a local context. People who knew George Turner through school or sports encounter his music with a different introduction from someone hearing Plug Not A Rapper for the first time.
They have a person to connect to the name.
That familiarity is part of what makes the Savannah State chapter significant. For Mikey, the university sits within his hometown world. A Homecoming appearance can bring his present work into view for people whose knowledge of him reaches further back.
His Clark Atlanta chapter adds another setting—and another community of people who may know a different period of his life.
Together, SSU and CAU offer a way to explore how a person’s identity travels. The hometown connection continues while new relationships develop. An old friend remembers one ambition; a college connection encounters another. Years later, those people may find themselves following the same artist under a name that carries pieces of both histories.
Mikey expresses that creative identity as “one artist, three identities.” Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper belong to the same person. His Savannah and Atlanta chapters help readers approach those names through a life that extends beyond a release announcement.
GEEKSQUAD deserves a place in that account as well. Its founder credit introduces another side of Mikey’s story: someone who has built a group identity alongside an individual one. Exploring that history means paying attention to the people involved, how they knew one another, and what the name meant to them.
That is where society coverage becomes personal.
A school affiliation can open the conversation, but the relationships give it depth. Who knew the artist as a teammate? Who encountered him during college? Who remembers the beginnings of GEEKSQUAD? Who has followed the transition into his current music?
Those perspectives belong alongside his own. Each can reveal a different part of the same person without reducing everyone around him to a supporting credit.
For CRUSH Magazine, Savannah, SSU, and CAU provide the setting for that wider portrait. Mikey remains a central figure, while the publication makes room for the classmates, athletes, creatives, and friends whose individual stories intersect with his.
His music gives new listeners a place to begin. The community history gives them a reason to look closer.
George Mikey Turner carries Savannah into his Atlanta chapter and brings both into the CRUSH story—a story whose next layer lives in the people who know him.
FROM THE LINEUP TO THE MUSIC Danny Lowe, known as Our Generation Lowe, and Qua Scott, known as Qua Tha Star, bring two more names into CRUSH Magazine’s Savannah story.
FROM THE LINEUP TO THE MUSIC
Danny Lowe, known as Our Generation Lowe, and Qua Scott, known as Qua Tha Star, bring two more names into CRUSH Magazine’s Savannah story.
George “Mikey” Turner III’s recollection of Savannah basketball has another name to include: Danny Lowe.
A Savannah High School graduate and Mikey’s Savannah Panthers teammate under Coach Cutter, Lowe also makes music as Our Generation Lowe. His addition expands the Panthers account while opening another connection between Mikey’s athletic upbringing and the creative lives of people from that community.
Alongside that addition, Mikey identifies Qua Scott, a Beach High School graduate, athlete, and professional entertainer known as Qua Tha Star.
Their connections enter the story through different routes. Together, they broaden its view of Savannah talent.
Danny Lowe: a teammate with another introduction
For Mikey, Danny Lowe belongs in the Panthers lineup.
That firsthand connection places him beside George Turner, Ke’Ron Brown, James Sinclair, Dashean Maxwell, and the other players Mikey remembers under Coach Cutter.
“Our Generation Lowe” gives readers a second way to meet him.
The name on a basketball roster and the name attached to music can reach different audiences. Bringing them together allows people who remember Danny through Savannah basketball to discover his creative work—and gives music listeners a connection to his earlier life.
Mikey supplied a YouTube link introducing Our Generation Lowe. It provides a direct starting point for readers to explore the musician whose name now takes its place in the Panthers feature.
Qua Scott: Beach High roots, Qua Tha Star identity
Qua Scott brings a separate school and athletic connection into the series.
Mikey identifies him as a Beach High School graduate and athlete who performs professionally as Qua Tha Star. His music is available through an Apple Music artist page listing the 2022 album Profit From Pain, along with the singles Lost It All and Stunt On Em. The page also credits an appearance on Cee Foe’s “Active.” (music.apple.com)
That catalog gives readers a concrete introduction to his recording work.
For those who knew Qua through school or athletics, the artist name opens another chapter. For listeners discovering Qua Tha Star first, the Beach High connection places the entertainer within the Savannah community Mikey wants this series to recognize.
Explore Qua Tha Star on Apple Music.
The hometown names behind the artist names
Mikey’s own public identities—Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper—make these connections especially relevant to the CRUSH story.
He knows what it means for audiences to encounter a stage name before learning the person’s background. Naming Danny Lowe alongside Our Generation Lowe, and Qua Scott alongside Qua Tha Star, gives readers both introductions.
It also keeps their individual work visible. Each artist has his own identity and a direct place for readers to begin exploring it.
Making room in the record
Danny’s addition corrects the Panthers account. Qua’s introduction extends the coverage to another Savannah school, athletic background, and entertainment identity.
Both deserve to be named with care.
Danny Lowe. Our Generation Lowe. Qua Scott. Qua Tha Star.
These are people Mikey wants included when CRUSH Magazine tells the story of the Savannah community around him.
THE STAGE, THE SOUND & THE CITY CRUSH Magazine recognizes the local names behind a Savannah State Homecoming gathering: Speedy, DJ Trill, AOS Mobile Bar, and Crimson Korner.
THE STAGE, THE SOUND & THE CITY
CRUSH Magazine recognizes the local names behind a Savannah State Homecoming gathering: Speedy, DJ Trill, AOS Mobile Bar, and Crimson Korner.
A Homecoming weekend brings different generations into the same conversation. Alumni return with years of stories. Current students are making memories of their own. Local residents bring a connection to Savannah that continues throughout the year.
The locally sponsored stage-and-bar experience presented by AOS Mobile Bar and Crimson Korner belongs at that meeting point.
Promoted as “The Ultimate Tailgate Experience” for October 17, 2026, the invitation named Anthony “Speedy” Gordon as host and Ty “DJ Trill” Smith for music, alongside the advertised Fort Valley State–Savannah State football matchup.
Those names give this chapter of Homecoming a distinctly local focus. They also offer a useful way to understand the celebration: through the setting, the sound, and the people attached to both.
Speedy’s hosting credit puts a familiar identity at the front of the invitation. Hosting is a public responsibility; the person named becomes part of what guests associate with the gathering. Recognizing Anthony Gordon by his full name connects that visible role to the individual behind “Speedy.”
DJ Trill receives a similarly direct credit. The music was part of the advertised experience, and Ty Smith’s name belongs with that contribution. A DJ brings a personal ear to a shared space, choosing how songs and transitions fit the occasion. At Homecoming, that work has room to connect listeners across different ages and musical memories.
The bar adds another dimension. In the supplied promotional artwork, the AOS Mobile Bar installation forms the central setting, surrounded by school colors and tailgate imagery. Its placement makes hospitality part of the event’s identity. Crimson Korner’s presenter credit sits alongside it, giving both brands a clear place in the introduction.
For George Mikey Turner—Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper—these local names help place his own Homecoming story within a wider Savannah context.
His music and public persona are one point of entry. His upbringing and basketball roots provide another. Covering the people around a celebration allows CRUSH Magazine to connect those parts of his life while giving others space to be recognized for their own work.
That is especially meaningful when a gathering brings together people who know one another through different settings. Someone may recognize a name through music, another through local events, and another through a personal connection that began years earlier. A feature can introduce those names to new readers while preserving their significance for people who already know them.
The strongest recognition stays specific.
Speedy carried the advertised hosting role. DJ Trill carried the music credit. AOS Mobile Bar and Crimson Korner presented the experience. Together, those credits identify the local contribution at the center of this feature.
For readers following Mr CRUSH’s Savannah story, this is another reason to look beyond a single performance image. The wider picture contains people whose work gives a celebration its setting and character.
October 17, 2026 belongs in that record with their names attached: Anthony “Speedy” Gordon. Ty “DJ Trill” Smith. AOS Mobile Bar. Crimson Korner. Savannah’s contribution to a Savannah State Homecoming gathering.
DASHEAN MAXWELL: NO. 00 IN THE SAVANNAH RECORD A Panthers teammate remembered by Mikey Turner appears alongside familiar names in Savannah High’s 2011 tournament roster.
DASHEAN MAXWELL: NO. 00 IN THE SAVANNAH RECORD
A Panthers teammate remembered by Mikey Turner appears alongside familiar names in Savannah High’s 2011 tournament roster.
In George “Mikey” Turner III’s account of Coach Cutter’s Savannah Panthers, Dashean Maxwell belongs among the players he remembers as “all stars.”
An archived basketball publication adds a specific image to that introduction: Maxwell as a Savannah High senior, listed at center, wearing No. 00.
The 2011 GHSA quarterfinals edition published by Score Atlanta records his name as “Dasheen Maxwell.” On that same Savannah roster are James Sinclair and Alex Reid—two more players Mikey identifies in his Panthers recollection. (scoreatl.com)
The connection gives this part of the CRUSH story a useful point of focus: teammates whose names appear together across different chapters of their basketball lives.
A place in the frontcourt
The tournament publication lists Maxwell as a senior center under Savannah head coach Tim Jordan. Sinclair appears as a senior shooting guard, as does Reid. (scoreatl.com)
Those details establish distinct places within the lineup. Maxwell’s entry brings the frontcourt into a series that has already examined Sinclair’s scoring and Ke’Ron Brown’s college contributions.
A roster cannot describe every possession. It can preserve a player’s presence, position, number, and place alongside his teammates.
For Maxwell, the surviving entry supplies all four.
The connection Mikey contributes
Mikey’s firsthand account identifies Maxwell with the Savannah Panthers under Coach Cutter and supplies his SHS connection.
That recollection adds a relationship the high-school roster does not explain: Maxwell and the future Mr CRUSH shared an earlier team identity.
It is an important part of understanding Mikey’s basketball upbringing. His account reaches across school affiliations and follows the people he played with. Maxwell belongs in that account because Mikey remembers him as a teammate.
The published roster then gives readers another place to find his name.
Familiar names, another setting
Seeing Maxwell, Sinclair, and Reid together in the Savannah High tournament publication gives the Panthers recollection additional texture.
Their basketball histories intersected in more than one setting. Mikey identifies the Panthers connection; the 2011 publication documents their shared Savannah High roster. (scoreatl.com)
For readers from that community, those names may prompt recognition. For readers discovering Savannah basketball through CRUSH Magazine, they begin to establish how individual stories connect.
Each player deserves attention within those connections. A team’s history becomes clearer as the people inside it come into view.
Remembering Maxwell individually
Mikey supplied fourteen names when asked about the Panthers. Giving Maxwell his own feature honors the specificity of that recollection.
His introduction now has a documented basketball setting: Savannah High, senior year, center, No. 00.
Alongside it stands the personal connection that brought him into this series in the first place.
Before George Turner became known as Mr CRUSH, he knew Dashean Maxwell as a teammate under Coach Cutter.
WHEN THE HOMETOWN GETS THE MICROPHONE Anthony “Speedy” Gordon, Ty “DJ Trill” Smith, AOS Mobile Bar, and Crimson Korner bring Savannah’s local presence into the Savannah State Homecoming story.
WHEN THE HOMETOWN GETS THE MICROPHONE
Anthony “Speedy” Gordon, Ty “DJ Trill” Smith, AOS Mobile Bar, and Crimson Korner bring Savannah’s local presence into the Savannah State Homecoming story.
The words “Hosted by Speedy” and “Music by DJ Trill” give a Homecoming flyer something a title alone cannot: people to associate with the invitation.
For the locally sponsored Savannah State Homecoming stage-and-bar experience, those names belong to Anthony “Speedy” Gordon and Ty “DJ Trill” Smith. Their credits sit beneath “The Ultimate Tailgate Experience,” presented by AOS Mobile Bar and Crimson Korner for Saturday, October 17, 2026.
The advertised football pairing—Fort Valley State University versus Savannah State University—supplies the game-day setting. Speedy, DJ Trill, and the presenting brands give this particular gathering its own identity within the larger weekend.
That distinction matters. Homecoming contains many celebrations, each shaped by the people who put their names and work behind it.
Speedy’s hosting credit places him at the point where the invitation becomes personal. A host represents the gathering to its guests, helping give an occasion a recognizable voice. His full name deserves to accompany the nickname, preserving Anthony Gordon’s place in the record.
DJ Trill’s credit identifies the person responsible for the advertised music. Ty Smith belongs in the same conversation because music is a substantial part of what guests are being invited to experience. The flyer gives his work prominent billing alongside hosting, hospitality, and school pride.
The promotional artwork reinforces that combination. A black AOS Mobile Bar installation occupies the center, with serving space, screens, steps, and a railed platform depicted around it. Savannah State’s orange and blue face Fort Valley State’s blue and gold. Football imagery frames the bottom of the design.
The picture communicates a gathering built around spending time together: a place to meet, hear music, and participate in the social side of game day. Its presenter credits identify AOS Mobile Bar and Crimson Korner as the names behind that invitation.
For George Mikey Turner—Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper—this local focus connects naturally to the purpose of CRUSH Magazine.
His own Savannah story runs through basketball, school communities, music, and the relationships formed along the way. Covering Homecoming gives him an opportunity to recognize other people within that wider hometown setting. An artist can appear at the forefront of his own work while also using his platform to direct attention toward the people around him.
Here, that attention belongs to Speedy, DJ Trill, and the presenting brands.
Their feature stands on specific contributions: hosting, music, and the locally sponsored stage-and-bar experience described for the celebration. Those details give readers something concrete to remember and give the contributors recognition attached to their names.
They also make the coverage more personal. Someone encountering “Speedy” on a flyer can learn Anthony Gordon’s name. Someone who knows DJ Trill through music can see Ty Smith credited in a Homecoming feature. Someone drawn to the bar concept can identify AOS Mobile Bar and Crimson Korner.
That is how a magazine can help a local occasion remain legible after the weekend ends. It preserves the names with the invitation and keeps the individual contributions visible.
Savannah State Homecoming brings people back. This chapter recognizes some of the Savannah people and brands who helped give the celebration a place, a voice, and a soundtrack.
JAMES SINCLAIR: A PANTHERS TEAMMATE WITH A 40-POINT COLLEGE NIGHT George “Mikey” Turner III remembers him under Coach Cutter. Western Carolina’s records reveal how far his basketball story traveled.
JAMES SINCLAIR: A PANTHERS TEAMMATE WITH A 40-POINT COLLEGE NIGHT
George “Mikey” Turner III remembers him under Coach Cutter. Western Carolina’s records reveal how far his basketball story traveled.
When Mikey Turner says, “We’re all stars,” about Coach Cutter’s Savannah Panthers, James Sinclair is one of the players he names.
In Mikey’s roster, the connection reads James Sinclair—SHS. Western Carolina University’s basketball biography supplies the next setting: a Savannah High guard who developed into an All-Southern Conference performer and a 1,000-point college scorer. (catamountsports.com)
For CRUSH Magazine’s Savannah basketball series, Sinclair offers another reason to slow down and examine the individuals inside that Panthers lineup.
His name carries a substantial playing history.
Forty points against VMI
On February 21, 2015, Sinclair scored a college career-high 40 points against VMI, making 16 field goals, including four three-pointers.
His senior season also included a 31-point performance against Alabama. In a Southern Conference Tournament victory over ETSU, he contributed 30 points, 14 rebounds, and six steals. (catamountsports.com)
Those performances show several dimensions of his game. The scoring could command attention, while the rebounding and steals added possessions and opportunities for his team.
The ETSU line is especially striking: production across three categories in a tournament win.
The season behind the highlights
Western Carolina’s final senior-year biography credits Sinclair with starting all 31 games he played and averaging a team-leading 19.4 points. He finished his college career with 1,302 points and earned All-Southern Conference recognition. (catamountsports.com)
The sustained production gives the individual highlights their context. Forty points was a peak within a season of repeated responsibility.
Before Western Carolina, the university records him as a four-year letter winner at Savannah High under Coach Tim Jordan. (catamountsports.com)
Where Mikey’s account adds something
A university biography follows the college player backward through his recruitment and school career.
Mikey’s recollection adds a different connection: James Sinclair was part of the Savannah Panthers group he remembers under Coach Cutter.
That firsthand identification places Sinclair within Mikey’s own early basketball world. It brings the future Mr CRUSH into the story as a teammate, alongside players whose paths would develop in different directions.
The connection deserves precision. Sinclair’s college achievements are his own. The Panthers relationship explains why his name belongs in this account of Mikey’s upbringing.
Together, the personal recollection and published record give readers two ways to understand his place in the feature.
Giving the lineup its depth
The Panthers roster becomes more meaningful as its names come into focus.
Ke’Ron Brown’s Hampton career supplied one chapter. Sinclair’s Western Carolina record supplies another, with a 40-point night and a career scoring total that extend the story beyond Savannah.
Mikey remembers the group from inside it. His account preserves the shared connection under Coach Cutter.
For readers discovering that team now, James Sinclair gives “we’re all stars” a specific basketball story to explore.
BEFORE HAMPTON, A PLACE IN COACH CUTTER’S LINEUP Ke’Ron Brown’s college record gives another dimension to the Savannah Panthers team George “Mikey” Turner III remembers.
BEFORE HAMPTON, A PLACE IN COACH CUTTER’S LINEUP
Ke’Ron Brown’s college record gives another dimension to the Savannah Panthers team George “Mikey” Turner III remembers.
When Mikey Turner names the players from Coach Cutter’s Savannah Panthers, he includes Keron Brown—Bethesda/Hampton.
The entry is brief. The connection opens a larger story.
To Mikey, Brown belongs to a shared basketball past: the team he remembers with the declaration, “We’re all stars.” In Hampton University’s records, he appears as Ke’Ron Brown, a Savannah guard whose contributions included starting assignments, rebounding, and a notable ability to collect steals.
The teammate in Mikey’s recollection has a college record worth exploring in his own right.
A Savannah player in Hampton’s rotation
Hampton’s official biography documents substantial involvement early in Brown’s college career. As a freshman in 2012–13, he played 31 games, started 13, and led the team with 53 steals. That season included an eight-steal performance at Radford.
His role expanded the following year: 30 starts in 31 appearances, with averages of 4.6 points and 4.8 rebounds. He again led Hampton in steals, finishing with 52. (hamptonpirates.com)
Those numbers give readers something specific to consider. Brown’s contribution extended across possessions—rebounding, creating turnovers, and spending sustained time in the lineup.
A college performance back in Savannah
One detail in Hampton’s account brings the story home.
During the 2014–15 season, Brown recorded a season-high five steals at Savannah State on January 24. Hampton lists his hometown as Savannah and his previous school as Quality Education Academy, adding another stop to the Bethesda/Hampton connections Mikey supplied. (hamptonpirates.com)
The Savannah State appearance places a hometown player back in Savannah wearing a college uniform. It is a concrete point where his local background and college career meet.
What Mikey remembers first
For CRUSH Magazine, the introduction begins earlier—with the Panthers.
Mikey places Brown among George Turner, James Williams, James Sinclair, Dashean Maxwell, Quan Chisolm, and the other teammates he names under Coach Cutter. That firsthand connection gives the college statistics a personal setting.
Before readers meet Brown through Hampton’s biography, they can meet him as someone who shared a team with the future Mr CRUSH.
The two accounts serve different purposes. Mikey preserves the relationship. Hampton documents part of the playing career. Together, they allow a fuller introduction than either a roster list or a statistical summary could provide alone.
Another name comes into focus
Mikey’s Panthers recollection contains fourteen players. Giving each person attention allows the team’s story to grow beyond a collective description.
Brown’s entry now carries particular achievements: college starts, team-leading steal totals, and a standout defensive statistic recorded back in Savannah.
For Mikey, he remains one of the players beside him under Coach Cutter.
For readers, Ke’Ron Brown is a name with a story to follow.
HOMECOMING HAS A HOMETOWN: SPEEDY, DJ TRILL & SAVANNAH’S LOCAL CONTRIBUTION AOS Mobile Bar and Crimson Korner’s “Ultimate Tailgate Experience” puts local hospitality, music, and hosting at the center
HOMECOMING HAS A HOMETOWN: SPEEDY, DJ TRILL & SAVANNAH’S LOCAL CONTRIBUTION
AOS Mobile Bar and Crimson Korner’s “Ultimate Tailgate Experience” puts local hospitality, music, and hosting at the center of Savannah State’s Homecoming celebration.
Homecoming asks people to return. Local support helps give them somewhere to land.
For Savannah State’s October 17, 2026 Homecoming celebration, the locally sponsored stage-and-bar experience carried the names of Anthony “Speedy” Gordon and Ty “DJ Trill” Smith. Presented by AOS Mobile Bar and Crimson Korner, “The Ultimate Tailgate Experience” paired Speedy’s hosting with DJ Trill’s music around the advertised matchup between Savannah State University and Fort Valley State University.
Those credits tell a story about Savannah’s contribution to its own celebrations.
A university supplies the common connection. The surrounding community brings its businesses, personalities, creative work, and relationships. Together, those contributions give returning alumni and visiting guests places to spend time with one another.
The stage and bar belong in that story because gathering requires a setting—and someone willing to help provide it.
Anthony “Speedy” Gordon’s hosting credit makes that contribution personal. His name appears directly on the invitation, giving the occasion a recognizable point of welcome. In a celebration built around reconnecting, the host helps connect the event’s identity to the people arriving.
Ty “DJ Trill” Smith’s music credit carries equal importance. Music occupies the space between introductions, conversations, and football anticipation. The DJ helps determine how those moments move together. Naming DJ Trill preserves the credit for that work alongside the host and presenters.
AOS Mobile Bar and Crimson Korner’s promotional design places hospitality at the center of the experience. The black mobile-bar installation anchors the artwork, surrounded by the competing schools’ colors, football imagery, and the promise of music and tailgate atmosphere.
It is an invitation with several points of entry. Someone may come for the school connection, another for familiar people, another for the music. The setting gives those interests somewhere to meet.
For George Mikey Turner—Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper—recognizing these local contributions is part of telling a fuller Savannah story.
His own connection to Homecoming reaches through his upbringing, basketball roots, Savannah State experiences, and music. That personal history gives CRUSH Magazine a reason to look closely at the people surrounding the celebration. The artist remains part of the picture while the attention moves toward neighbors and contributors whose work deserves its own recognition.
That approach also gives the word local substance.
Here, local means naming Speedy, DJ Trill, AOS Mobile Bar, and Crimson Korner. It means remembering who received the hosting credit, who supplied the advertised music, and which presenters put their names behind the invitation.
Each credit makes the account more useful to someone discovering Savannah’s event community. Each also gives people who already know these names a record that recognizes their contribution.
There is room in Homecoming coverage for the performance, the football matchup, the reunion photograph, and the businesses helping create places to gather. Together, those details show how a school celebration becomes a shared city experience.
For this chapter of Savannah State Homecoming 2026, the local names deserve to travel with the memory: Anthony “Speedy” Gordon, Ty “DJ Trill” Smith, AOS Mobile Bar, and Crimson Korner.
“WE’RE ALL STARS”: COACH CUTTER’S SAVANNAH PANTHERS George “Mikey” Turner III remembers a team through the names beside him—and the coach at its center.
“WE’RE ALL STARS”: COACH CUTTER’S SAVANNAH PANTHERS
George “Mikey” Turner III remembers a team through the names beside him—and the coach at its center.
When George “Mikey” Turner III remembers playing for Coach Cutter’s Savannah Panthers, he brings a roster.
Fourteen names. Different school connections. Two players named Alex Reid, each with his own place in the account.
Mikey introduces the group with a simple declaration: “We’re all stars.”
It is a former player’s expression of pride in the people who shared his team. Before Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper became his public identities, George Turner belonged to this lineup.
His name deserves to appear exactly where he places it: among his teammates.
The Panthers, remembered by name
Mikey identifies the group with the following school connections:
George Turner — Calvary/CAU
Keron Brown — Bethesda/Hampton
James Williams — SHS
James Sinclair — SHS
Dashean Maxwell — SHS
Quan Chisolm — SHS
Octavis Porter — JHS
Madrid Thomas — JHS
Bubba Davis — JHS
Abidjaun Davis — JHS
Josh Sparks — SavChristian
Alex Reid — SHS/WFHS
Alex Reid — Calvary
Duane Chisolm — Bethesda
Roster and school connections supplied by George “Mikey” Turner III.
The school references help readers distinguish the people and follow their connections. They also show how this team brought together players whose individual stories reached into different parts of Savannah basketball.
The two Alex Reids make the value of that detail especially clear. One is identified with SHS/WFHS; the other with Calvary. Both belong in the record.
George Turner, teammate
Artist coverage usually puts Mikey’s name at the top.
Here, his name sits inside a group.
That placement changes the perspective. Readers encounter George Turner as someone who shared a team identity with Keron Brown, James Williams, James Sinclair, Dashean Maxwell, and the other players he still names.
His recollection gives the Panthers a collective presence. He has brought the people beside him into the story rather than describing his basketball years solely through his own path.
For anyone discovering him through music, this roster offers a more grounded introduction to his early world. His Savannah history includes relationships formed through a team.
Coach Cutter at the center
Mikey has previously identified the Panthers relationship within his personal history as “Coach Father Figure.” Coach Cutter’s place therefore carries meaning beyond the name attached to a team.
The roster gives that relationship a wider setting. These are the players Mikey remembers being together under Cutter.
Their individual experiences will have their own details. Mikey’s account establishes the connection that brings them into this feature: a shared team, a named coach, and a former player who wants the group recognized.
“All stars” means remembering the others
The phrase “we’re all stars” belongs to Mikey’s recollection. Its strongest quality is the word “we.”
He is speaking from inside the team.
That sense of belonging gives this chapter of the CRUSH legacy its substance. The adult performer looks backward and supplies names. Each one gives another person a visible place in the account.
For CRUSH Magazine, the Savannah Panthers story begins with that act of recognition: George Turner naming the players beside him and Coach Cutter standing at the center of their shared basketball connection.
Before the artist identities, there was a team. Mikey remembers who was on it.
SAVANNAH BUILT THE SETTING: SPEEDY & DJ TRILL’S HOMECOMING STAGE AND BAR Anthony “Speedy” Gordon and Ty “DJ Trill” Smith receive the spotlight
SAVANNAH BUILT THE SETTING: SPEEDY & DJ TRILL’S HOMECOMING STAGE AND BAR
Anthony “Speedy” Gordon and Ty “DJ Trill” Smith receive the spotlight in a locally sponsored Savannah State Homecoming experience connecting music, hospitality, and hometown pride.
Savannah State Homecoming carries the names of the people who help give everyone a place to gather.
For the October 17, 2026 celebration, Anthony “Speedy” Gordon and Ty “DJ Trill” Smith belong in that conversation. The locally sponsored stage-and-bar experience brought their names into focus through a clear pairing: Speedy hosting and DJ Trill providing the music.
Presented in promotional artwork by AOS Mobile Bar and Crimson Korner as “The Ultimate Tailgate Experience,” the gathering was advertised around Fort Valley State University versus Savannah State University. Its message connected football, school pride, drinks, music, and the social tradition surrounding Homecoming.
For CRUSH Magazine, the people behind that setting deserve their own feature.
SPEEDY: A NAME ATTACHED TO THE WELCOME
The flyer’s “Hosted by Speedy” credit gives Anthony Gordon a prominent place in the event’s introduction.
A host helps establish the relationship between an event and its guests. At Homecoming, that responsibility carries a particular significance: people arrive with different graduation years, friend groups, family connections, and reasons for returning. Hosting gives those separate arrivals a shared point of attention.
Putting Speedy’s name on the promotion recognizes that personal contribution. The invitation carries a person’s identity alongside the event title.
That matters in coverage of a locally supported celebration. Readers should know who helped put a welcoming face on the occasion.
DJ TRILL: THE MUSIC CREDIT DESERVES ITS OWN SPACE
Ty “DJ Trill” Smith receives the flyer’s music credit, placing him alongside Speedy in the advertised experience.
Music gives a tailgate its rhythm. It shapes the space around conversations, reunions, and game-day anticipation. The DJ’s choices can connect listeners who arrived carrying different musical memories.
The promotional billing makes DJ Trill’s responsibility clear: the music was part of the attraction, and his name stood behind it.
Recognizing that work expands the Homecoming story beyond the person holding a performance microphone. The people selecting and delivering the music deserve to be remembered, too.
AOS MOBILE BAR & CRIMSON KORNER: THE SETTING HAS A CREDIT
The supplied artwork places a black AOS Mobile Bar installation at the center, framed by Fort Valley State’s blue and gold and Savannah State’s orange and blue. The design presents hospitality as a defining part of the invitation, with drinks, music, and tailgate culture sharing the billing.
AOS Mobile Bar and Crimson Korner therefore belong in the article by name. Their presenter credits identify the businesses and brands attached to the advertised experience.
The artwork is promotional imagery, while the credits provide a concrete record of how the gathering was presented: a named host, a named DJ, and named presenters surrounding a Homecoming football matchup.
WHERE MR CRUSH’S STORY MEETS THE HOMETOWN
For George Mikey Turner—Mr CRUSH, PartyPlugMikey, and Plug Not A Rapper—this feature continues a larger commitment to documenting Savannah’s people alongside his own music and Homecoming story.
His Savannah upbringing, basketball roots, and Savannah State connections give that coverage a personal foundation. Featuring Speedy and DJ Trill allows the attention to move toward the local contributors whose names help explain the wider occasion.
An artist’s Homecoming story becomes richer when readers can also recognize the hosts, DJs, and businesses around the celebration. Each has a contribution worth identifying on its own terms.
Here, those credits are direct:
Anthony “Speedy” Gordon, hosting. Ty “DJ Trill” Smith, music. AOS Mobile Bar and Crimson Korner, presenting.
Their place in Savannah State’s 2026 Homecoming coverage deserves to remain visible after the flyers stop circulating.